New publication coming very soon, preview copies available for purchase at Michael Hoppen Gallery, Booth #C10, Paris Photo 2018
In making his Diorama maps, Nishino combines photography, collage, cartography and psycho-geography to create large prints of urban landscapes.
Drawing inspiration from the 18th century Japanese mapmaker, Ino Tadataka, his prints re-imagine the cities he has visited. To build his Diorama maps, Nishino walks a city’s streets for an average of three months, exploring many vantage points and gathering hundreds of rolls of exposed film. He then painstakingly prints the photographs by hand and compiles them to form the tableaux he will use as the basis for his limited edition photographs.
The overall effect is not a traditional bird’s-eye view but an enlightened way of seeing three dimensions in one plane. Although geographical accuracy is important in this process, scales are altered and locations occasionally repeated, mimicking our own fluid memories of place and time. From a distance the maps are almost abstract, it is not until we examine them in detail that the full diorama unfolds - the theatre of one man’s city played out in miniature.
“I walk through these cities, camera in hand, capturing multi-faceted views that I then combine, one by one, in accordance with my memories, arranging them into a map that portrays all the singular aspects of the place. The result is quite different from the denotative expression of a map; it uses photographs (single 35mm frames) of concrete objects or shapes as units to recreate a geographical representation, expressing the city through human memories and images. This means that the finished work is anything but an accurate map, it is simply the town as seen through the eyes of a single individual, a trace of the way in which I walked through it, an embodiment of my awareness, a microcosm of the life and energy that comprise the city.”
Sohei Nishino has recently completed a new diorama of the Po River valley in Northern Italy. This work was the winning commission for the Foto/Industria award which was announced in February 2018 and was displayed at MAST Museum in Bologna until May 2018. This new multi-part work consists of eight panels which span the course of the River Po, from its source in Western Italy to its mouth, where it flows into the Adriatic sea near Venice. Nishino travelled and walked along the river for 2 months, documenting the life and landscape that meander though the industrial and rural heartland of this important part of Northern Italy.
Consisting of 20,000 individual images which took 6 months to compile, the artist has created a monumental work that surprises and delights in its detail and intricate attention to the rich variety of life and culture that exist along the river bank.
On view 8-11 November 2018 at Paris Photo: Michael Hoppen Gallery, Booth #C10
New publication coming very soon, preview copies available for purchase at Augusta Edwards Fine Art, Booth #D37, Paris Photo. 8-11 November 2018
Mauricio Valenzuela was born in Chile in 1951. His photography is rooted in the social documentary genre and stands amongst the most original of the 1980s ‘golden period’ of Chilean photography.
From 2 November 2018 to 20 January 2019
Saul Leiter 'In Search of Beauty' transfers from Foto Colectania in Barcelona to the Museum of Contemporary Spanish Art in Valladolid.
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